Profile of Princess Constance Magogo Sibilile Mantithi Ngangezinye
Ka Dinizulu
Born at the Usuthu royal homestead at Nongoma in 1900, Princess Constance
Magoga kaDinuzulu kaCetshwayo kaMpande kaSenzangakhona is a direct descendent
of the Zulu royal lineage. Her father was the late paramount chief Dinuzulu
(1868 – 1913) son of King Cetshwayo, son of Mpande, son of Senzangakhona,
and brother of Shaka and Dingane). Princess Magoga was the first child
born to Silomo (daughter of Ntuzwa, son of Ntlaka, of the Mdlalose clan)
principle wife of Dinizulu, after Dinizulu's return from banishment
on the island of St. Helena after the Anglo-Boer war. Her earliest musical
education, so she claims, was at the hands of her grandmothers, the
widowed queens King Cetshwayo, in whose huts she frequently slept as
a child, as well as her mother and her mothers co-wives. On one occasion
the Princess narrowly escaped death through the jealousy of another
of the wives of Dinizulu. During the Bhambatha rebellion the Princess
was sent to live in safety with the Buthulezi clan, where she was cared
for by Sonkeshana. When peace returned she went back to her parents.
Her mother, Silomo, died soon afterwards and the responsibility fell
upon Princess Magoga, at an early age , to look after her two brothers,
Solomon Maphumuzana Nkayishana, and Mshiyeni, until such time as they
obtained wives of their own. (Solomon later reigned as Paramount Chief
from 1916 to 1933, and Mshiyeni served as regent from 1933 to 1945 during
the minority of Solomons's heir, Cyprian). Princess Magoga attended
Nkonjeni school, at Mahlabathini, where she learned to read and write
in Zulu, but did not study English. After he fathers death, and the
accession of brother Solomon as Paramount Chief, the royal capital was
sent further North and Princess Magoga went to live there also. In 1923,
her brother, Paramount Chief Solomon, sent an emissary to the ruling
chief of the Buthulezi clan, Chief Mathole, to suggest that a marriage
be arranged between him and Princess Magoga. Chief Mathole responded
according to strict Zulu etiquette, by giving the messenger a present
of snuff, thereby indicating his assent to the proposition. She became
his tenth, but principle wife. Marriage cattle, amounting to 118, and
a cash dowry of pounds 44, were subscribed by the Buthulezi clan as
a whole., and the marriage festivities continued for two weeks. Chief
Mathole built for the Princess a new homestead, named kwaPhindangene,
on the hills above Mahlabathini. This has remained her home ever since
and is now also the home of her first born son, Chief Ashpenaz Nathan
Mangosutho Gatsha Buthulezi, who is now Chief Executive Councillor of
the kwaZulu Government. The Princess also has two daughters, Morgina
Phikabesho (now married to Dr. Dotwana) and Admara Phhokunani (now Mrs.
Vilakazi). She is blessed with many grandchildren, to whom she makes
a point of passing on treasures from the Zulu and Buthulezi musical
heritage. The Buthulezi were the first of many related clans to be conquered
by Shaka, in the early nineteenth century, and incorporated into the
Zulu nation. Throughout their subsequent history the Buthulezi have
always maintained a specially close relationship to the Zulu royal lineage.
Ngqengelele (born 1790) served as a personal steward to Shaka. After
Shaka's death, Klwana rose to become one of Dingane's war-captains.
Thereafter, Mnyamana held the same position under Mpande, and in Cetshwayo's
time became virtual prime minister of the Zulu nation. Succession in
the Buthulezi chieftainship passed on through his descendents, Tshanibezwe
(died 1906) and Mathole (late husband of Princess Magoga).
David Rycroft :
Princess Magogo ka
Dinizulu was a member of the royal family and attended school at Mahlabatini.
She was a keen observer and upholder of Zulu culture and tradition. Princess
Magogo was regarded as an authority on Zulu music and is remembered as
one of Africa's greatest composers, musicians and singers. Her talents
received a wider audience in 1939, when the late Dr Hugh Tracey made a
number of recordings of her performances. She later recorded with the
SABC and West German Radio, among others. Her vast repertoire of solo
vocal works included not only traditional songs dating from the time of
King Shaka in the early 19th century, but also her own original compositions
sung in traditional style. Through the training of scores of young singers,
she also made an unequalled contribution to the preservation of traditional
music and musical development in South Africa. Her original songs constitute
a significant addition to the corpus of traditional Zulu music. |