Jazz Against Apartheid. The Johnny Mbizo Dyani Story

When a complete archive of 36 years of exile history is repatriated to the Steve Biko Centre in King Williams Town and Gompo Art Centre in East London, a ground-breaking journey begins for a new generation of artists.

Supported by the ECDC, Hessen Ministry, Protestant Church, Germany Embassy, the journey from Jazz Against to Apartheid to Jazz for Rural Advancement is a worldwide co-operation fitting to the national theme of Unity or uBuntu described in a word as Imvuselelo – The Revival.

Filmed over a series of 4 years of Live Music and Cultural Exchanges at the Steve Biko and Gompo Art Centre, Imvuselelo provides a multi-media archive of dialogue session live music and education. Released as a series of micro-films, many stories are told of an Eastern Cape legacy of jazz excellence, previously unknown.

At the heart of this multi-generation momentum moving story is Johnny imbizo Dyani. Born and bred in Gompo Village, a poor neighbourhood on the outskirts of East London, the unsung hero carried the musical message of liberation as far as Denmark, Sweden, Switzerland, UK and the USA.

The restorations and repatriation of cultural memory of his story through exhibitions, interviews, archives gathered through an extensive live recording project in 2022 – 2023 is the foundation for one of the greatest stories yet to be told from the Eastern Cape.

Written by experienced jazz writer and music educator Struan Douglas, the Micro-film is a first in a long series of Eastern Cape “Jazz Movies” still to be made. Part one of this re-awakening of Eastern Cape Jazz Legacy is Johnny Mbizo Dyani Homecoming Tour 2022 – 2023.

Through the audio-visual documentation of skills transfer or Nachwuchsförderung, the eclectic compositions of Johnny Dyani are revived, learnt and performed. These are the same compositions that carried the flame of South Africa’s liberation worldwide through his ground breaking album Song for Biko and the movement he inspired, Jazz Against Apartheid.

The story traces his career through his formative years were as an acapella singer, a pianist, bassist at home in Duncan Village (1945 – 1962). Revelling in the vocal groups of Duncan Village, the journey passes through the young giants of Eastern Cape Jazz (Feza, Pukwana), a bass mentorship with the Jazz Wizards and a baptism into free jazz with the legends of Port Elisabeth, Cape Town and Dorkay House, before as a 17-year-old joined South Africa’s first mixed band – the Blue Notes and heading overseas never to return.

The story traces the emotion of dislocation of suppression. Dyani carried the soil of his home with him both in his pocket and in his musical compositions. The international jazz movement and breakaway collaborations of the South African musicians transformed musical expression into the free-jazz movement in Europe.

Dyani became the foremost composer and collaborator on the European jazz scene. But as the head of the ANC cultural wing in exile and out of the various anti-aparhied movements including Artists Against Apartheid in Sweden he founded the Jazz Against Apartheid movement in 1986.

With the support of fellow musicians, unsung heroes living and late the micro-film project is an episode in the long-standing commitment to continuing Dyanis work and growing the link between Eastern Cape Jazz and the movement to progressive European musicians.

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  • From the Story of South African Jazz

    Story of South African Jazz is built on a solid history of self-expression where finding oneself is the present for every era. Jazz is a music that defies categorisation and the chains of slavery. It is a musical form beyond fear and is like the vivid array of colours that are natures' true abundance. By preserving and restoring the living legacies of the great South African musicians there is a holistic interpretation and development of knowledge in action.

    Story of Soth African Jazz is a clear reminder that nusic is the mother of all arts. A collection of lifetimes of learning, and experiencing music is shared through direct knowing by mentors and pioneering spirits.

    Music, arts, politics, business and social work have that in common. There are great people in every walk of life. South Africa has had great leaders in politics and in music great composers, performers and educators. All over Africa, under every lightbulb there is story. These names are to inspire us to that story, which we achieve through humility, gratitude and spirituality. The path is straight. The great saxophonist Robbie Jansen said, “When am I going to be me?” When are we going to be we?

    Story of South African Jazz is a holistic African arts education resource providing a broad perspective on the evolution and the revolution markers in our music. Perspectives includes heritage, historical legacy, myths, legends, the narratives on the evolution of S.A. music, the contact and continuing cross-pollination of ideas, styles, genres that has given our music this unique standing in Africa and in the world.

    Due to popular demand, Story of South African Jazz Book Series is being transferred into audio-visual. The “iMbizo yamaKhono – Gathering of the Arts” has produced 23 multi-media music training modules based on the Story of South African Jazz Book Series.

    “Jazz is a unifying language. It brings people together and provides the vocabulary to have a great musical dialogue. SA jazz is a transformative shift to sharing. It is uBuntu in action.” Struan Douglas



    Story of South African Jazz is a living and dynamic resource that is made permanently available to education. A vast land united from ancient times hosts many different people and many different musical flavours. This resaerch, interviews, comments, anecdotes and collections cover the length and breadth of everything from Malombo Jazz to Xhosa Africa Cape Jazz to Sophiatown Shuffle, Mbaqanga Jazz etc. But it is all jazz, and South African Jazzbecause jazz menas freedom. And freedom is expressed through uBuntu and the friendships formed all over the world for this music.

    From the main cities of Southern Africa, from coast to coast, to the rural areas and hinterlands - the musical soud vibration was a big mix up bonded by a spirit of togetherness and self actualisation. These works find their home in mentorship, education, libraries and all music rooms giving service is because reading and learning is the composer for our education system.The music learnings on offer are holistic and include general knowledge and technique on the improvisational quality of the music and the spiritual knowledge of the power of the present moment. Music whispers to us truths that lead us to beauty ... For the fruits to be tender and sweet, the roots are watered with love and joy.

    Drawing on the lived experience and oral history of many masterful South African heroes, Archive Africa provides the longevity through a foundation for Africa, education and the unified source of music. South African jazz is a unique and all inclusive channel to freedom, easily accessible to all cultural centres, particularly in Kwa Zulu Natal, Eastern Cape, Mozambique and Gauteng, but not limited too. The selections include Commentaries, Tributes, Interviews, Photographs, articles, video ,live recordings, books, tutirials, training modules, sheet music, research and testimonies. With an independent directory of resources available online with hard copy data disks backed up in 4 university centres of music learning, Archive Africa provides an open source to open the minds and hearts of all researchers in the fields of music, arts activism, and liberation. It is important to note there are other existing archives that have built up some fantastic matetrial of old archive footage from era's before our birth as well as an ever evolving archive. It is important to build these networks and share our resources as best as possible to develop a coherent knowledge foundation of South Africa's arts culture and heritage landscape. The Story of South African Jazz Archive is engaged with ILAM (International Library of African Music) for a long-term and accessible sylabbus based resource.

    South African Jazz fits into the International Examination Board Syllabus and Curriculum Assessment Policy. Including topics such as cross-over music, Kwaito, SA protest music, Afrikaans protest song, SA rock, SA Urban music (instrumentation, improvisation, rhythm, melody and harmony, marabi progression, characteristics, leading artists, and the socio-political context); Ingoma ebusuku styles including mbube and isicathamiya, early jazz including marabi, vocal jive jazz, kwela, jazz and mbaqanga. And, a coherent synthesis on music rights and all seven aspects of the music industry. Jazz and Freedom education lectures are not only an interpretation of an aspect of South Africa's jazz history, but they are also a clear documentation of the journey of the hero.
    The three volume book series Story of South African Jazz is told through Five Distinct Rays of South African Jazz, following the distinct SA jazz timeline of 5 rays with access to both ancient and future.
    First Ray Golden Era, 1950s:
    Musicians Journalists Photographers, Shebeens, migrant labourers and a Pan African movement.
    Second Ray Exile & Inxile: 1960s:
    After Sharpeville 1960 the jazz scene is split. Exiles to Europe and the US, inxiles keep the fire burning at home.

    Third Ray Liberation Era ,1976 – 1986:South African Jazz and the struggle becomes universal and unites with all forms as with Graceland. World Music
    Fourth Ray Freedom Generation, 1994 beyond 2000 builds on the past with an eye to the future a new integrated sound.
    Fifth Ray Musical Co-Creation, 2020 brings a New South African Jazz and Identity Renaissance, where education, industry and musicology unite to project a 4IR approach into the 5th dimension – co-creation industry.


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